FORTHCOMING

‘From Andarmahal to Schools’ examines the beginning and development of female education in Eastern Bengal in the nineteenth and early twentieth centuries within the broader context of colonial modernity, patriarchy, and social change. It traces the growth of institutional and non-institutional forms of education, including the Zenana System. This book challenges the prevailing view that British colonial intervention was the primary catalyst in shaping educational developments, and brings to light the local initiatives, socio-religious dynamics, and material constraints involved in the development of female education. Drawing on archival sources, it traces how female education progressed despite financial, cultural, and ideological resistance in a predominantly agrarian society. By focusing on a historically neglected region, the book addresses a significant gap in existing scholarship and offers a revised understanding of the origins and trajectory of women’s education in Eastern Bengal.

How Does One Cook Beans? brings together Syed Waliullah’s original writings in English, his own translations of his Bangla works, and a curated selection of his stories translated by others. Rooted in the landscapes of rural Bengal yet exploring different classes, professions, ages, genders, and temperaments, Waliullah’s fiction carries the quiet intensity of a man who belonged everywhere and nowhere. His stories are shaped by the solitude of foreign postings, the memories of riverine Bengal, and the existential unease that marked both his life and his art. “How Does One Cook Beans,” written, like The Ugly Asian under the pseudonym “Abu Sharya,” is Waliullah’s only piece of fiction set in Paris. The narrative possesses a delightful playfulness that is absent in his other fiction. “I Believe My Son,” an autobiographical story, is being published for the first time. Twelve of his short stories translated into English by other translators include eight anthologized in Nayanchara and Dui Teer as well as four unanthologized ones: “Shishu,” “Dreams Come Rolling Down,” “The Other Wife,” and “No, Bubu Doesn’t Cry.” “Shishu,” published in 1939, is the earliest of these stories. This collection invites new readers and longtime admirers to rediscover Waliullah as an author who is intimate, unguarded, and profoundly human.