
Fire of Bengal plunges us into the midst of life in Rabindranath Tagore’s Santiniketan during the late 1920s. Rozsa Hajnoczy, wife of a Hungarian professor, kept a journal of her impression during their three years stay at the ashram. After her death in 1942 this was published in Budapest and became one of the classics of modern Hungarian literature.
Tagore was indeed a biswa-kabi, or poet of the world. In the first half of the twentieth century, few had travelled as much as him, visiting more than thirty countries on five continents Shying away from being a ‘patriot’ and ‘seeking compatriots around the world,’ Rabindranath laid faith in humans, no matter of what nation, race or caste, in overcoming limitations and perils of all kinds. It is this faith that made him cross boundaries, both intellectual and territorial.
বাংলাদেশ আয়তনের দিক থেকে ছোট হলেও জাতিগত এবং সাংস্কৃতিক বৈচিত্র্যে সমৃদ্ধ। দেশের উত্তর, উত্তর-পূর্ব, দক্ষিনের উপকূলীয় এবং পার্বত্য চট্টগ্রামে ছোট ছোট বিভিন্ন জাতিসত্তার বসবাস। সরকারি হিসাবে এসব জাতির সংখ্যা ২৭ বলা হলেও আদিবাসী এবং গবেষকরা এ সংখ্যা ৪৫ বা তারও বেশি বলে দাবী করেন। এসব জাতিসত্তার ভাষা, নৃত্য-গীত,উৎসব, লোকাচার, সাহিত্যসহ নানাবিধ সাংস্কৃতিক উপাদান বর্ণিল ও বর্ণাঢ্য। বাংলা ভাষা ও সংস্কৃতিতে আদিবাসী জাতিসত্তার এসব সাংস্কৃতিক উপাদানের যতেষ্ট অবদান রয়েছে। আদিবাসী জাতিসত্তার সমৃদ্ধ সাংস্কৃতিক উপাদান আমাদের ঋদ্ধ করেছে। দেশের সংখ্যাগরিষ্ঠ মানুষ ক্ষুদ্র জাতিসত্তার মানুষ ও সংস্কৃতি সম্
The Baromashi Tapes takes the well-known folk genre of the baromashi the twelve-month song, to tell the contemporary story of Sakina and Khokon. Like the merchants or sailors of old, Khokon has left his wife behind in the village and gone to seek his fortunes abroad. Sakina misses her husband and reminisces about their short conjugal life together but also describes the everyday events that take place around her. Though much of rural Bangladesh seems unchanging, Sakina witnesses the mechanization, migration, education that impact upon village life.
For generations, Bangladeshi craftsmen have been making beautiful metal objects using a variety of different techniques. While a handful of books have been written focusing on some of the older pieces that have been found throughout Bangladesh, few have provided insights into how these metal objects were created.
In his forward to the first edition of The Art of Kantha Embroidery (1981), Syed Zillur Rahman commended the book as the ‘first of its kind on the traditional arts of Bengal’. This revised second edition of The Art of Kantha Embroidery includes all the information contained in the first edition but also brings it up to date by including the rapid changes that have taken place n the kantha since its revival n the eighties. With the help of line drawings, black and white and colored photographs, the book documents kantha stitches, motifs, border patterns, articles and styles.
Do you know the extent to which one can pardon? Do you know of some acts which can never be pardoned? Quamrul Hassan, magnanimous Quamrul Hassan could never pardon some acts. Hatred and bitterness, curses and satire made his wrist strong, his pen sharp, his brush intense. He did not pardon the Pakistan of 1971, the man-made famine of 1974, his former beloved, the arch shameless dictator. Do you know his eyes stiffened into stone hatred and bitterness? Day and night he heard laughter of tigers and jackals and crocodiles and monkeys and donkeys and snakes.
In The Festivals of Bangladesh Muntassir Mamoon reports from a variety of flash points across Bangladesh. Getting out on to the streets to get beyond the rituals, Mamoon paints a radical portrait of the struggles, hopes and needs of the people. The Other Bangladesh: religious festivals: Eid, Muharram, Janmastami, Durga Puja New year all are powerfully portrayed as the festivals where high versus low culture is intertwined, in which artists and common men, religious devotees and intellectuals, all striving in various ways to embrace the multicultural society we live in.